nice price deal !!! pink vinyl single. keep it in motion is the new non-album single from guided by voices.

limited 2012 remixes, non artwork version

following their second album >demiurge< released in may 2011, >medium< arrives as the first non-studio based production by emptyset, recorded on location in the remote woodchester mansion in gloucestershire. the collection of tracks explores the duos preoccupations with the elemental properties of sound and bare rhythmic structures and overlays it onto the textural possibilities of space and material. the project marks their first act of adapting their analogue-based studio system into an architectural intervention, pushing extreme bass and feedback into the irregular spaces of the unfinished building.

long waited 4th ep from japanese deep house force pan records is here. unlike precious releases, this is volume 1 of its various artist sampler series. all 3 of them are scheduled to be released in 2012. first track to open the series is >flash back< by sai. this japanese producer has been favored and debuted from morris audio in 2010. the track has dreamy and floating feel to start off with, later it gets more grove going with subtle vocal goes behind. stays musical yet feels minimal, a2 also kept the vibe from a1 and makes you stay in the dreamland. it is by only the non-japanese artist on this wax, dennis uprock aka resoe from denmark. he is the owner of baum records and one half of the duo >pattern repeat< and this rather timeless track exactly demonstrated his years of experience in producing. >future progress<, is true and honest to its name. dj pi-ge is one of the owner of the label along side of ryo murakami and sisi. he provides a track with punchy synth and revered black man’s vocal. notably slow teasing build up from the beginning till the end, this is an interesting addition to the ep. attention grabbing. last of all, >rising moon< is by tokyo based artist naoki shinohara, previously released from xdbs metrolux music. this track can be described by strong hart beat like hi hats and soul filling melody. its a perfect closer to this quality deep house ep from the land of rising sun.

the mysterious arctic producer known only as ukkonen, returns to vinyl with a brand new five track ep as a warm-up for his forthcoming double album on uncharted audio.
following last years >erriapo< 12 inch, which was charted by the likes of agoria and left critics comparing his unique non-linear grooves to the likes of gas, the sight below, mark e, aphex twin, brian eno, carl craig, mika vainio and isolee, here are five more masterpieces from his repertoire.

after the successful >everything changed< ep released in 2011, rills aka massimo pisani returns to 8bit with his next 4 tracker ep. alongside the endless boulevards and among the industrial turins countless blocks, in the heart of mirafiori, two steps away from the factory of the italian motor city, rills grows up with metal beats and, in a town in a non stopping musical turmoil, falls in love with the electronic melody we all know him from his great work with the >everybody ep< on the romanian label all inn records . rills is resident dj at club gamma and doctor sax : the most loved breakfast of turins electronic mornings

la vita non e cara. superb european floor filler disco obscurities, edited by the greatest italo disco connaisseur from down under: hysteric. comes with beautiful stickered picture cover, handstamped label and numbered press sheet. limited edition of 250 copies.

kokeshi changes the tempo this time offering two tunes from russias bulb. >tenderness< comes with an 80s vangelis vibe that offers the emotional aesthetic that kokeshi is known for. with its non 2 step beats it wont be recognisable as drum n bass despite having the same tempo as most d n b tunes. for the djs, catch the flip side which offers a dance-floor friendly yet uber deep feel from the d n b tune >heartless<

this 4-track ep is the first official release from new jerseys mikeq, one of the unquestioned leaders of the current vogue-house scene, and follows in the wake of a slew of self-released tunes he has dropped over the past few years. let it all out is also the second record on kingdoms fade to mind imprint, which has already received mountains of praise despite its short discography. largely built upon raw, upfront drum sounds, recycled snippets of hip-hop and r&b, and, most importantly, the ever-present >ha< (itself a repurposed masters at work sample), vogue house seemingly offered the sort of sound that tastemaking and blog-reading djs would snap up with aplomb. hell, even diplo championed the ballroom scene. yet, for whatever reason, the expected vogue-house explosion hasnt really happened. while a handful of non-ballroom producers and djs (most coming from the world of bass music) have experimented with the genre, the music essentially continues to hum along in the underground.

this ep was formed with a concept in mind that involves a natural phenomenon occurring in various/different fields of science and nature - anti-parallelism. as the word suggests, anti-parallelism describes the natural relationship between two occurrences, objects or even non-material things, that are virtually identical and yet oriented in different directions. during the time the music was made i was researching natural phenomenons like this one. naturally, this became part of the nucleus, fabric and inspiration for this work. in genetics, for example, if the antiparallelity is corrupted during the process of dna replication it is called a mutation. this mutation can be anything from totally inconsequential to critical for the survival of the whole living organism. a double helix of dna contains two helixes, that are naturally anti-parallel to one another. in physics this could be two of the same objects moving through space and time in opposite directions - just like the instruments or parts of a beat in electronic music production. so metaphorically speaking,anti-parallelism holds a natural balance to keep it safe and stable. although this might sound all very conceptual and theoretical this music is obviously just what it is - it is not intended to teach math, physics or biology in any way. the above mentioned aspect has simply found its way through my head and might have led to a piece of music that somehow, at least for me, is connected to these thoughts. it might evoke something very different for you.

nice price deal !!! die erste limitierte 12inch aus dem vierten leila album (vÖ: januar 2012) bringt den darken und härteren track >(disappointed cloud) anyway< feat. mount sims on vocals, plus instrumental. die flipside enthält zwei exklusive non-albumtracks. limitiert auf weltweit 500 stück.

die zweite doppel-a-side 7inch-single der schottischen emo-indie-rocker aus dem album >in the pit of the stomach< plus non-album track >ink slowly dries<.

surely with forward-looking ambitions, serbian fellow dejan milicevic drops his debut album trust and the purpose with style, non-compromisingly showing us how electronic music has no limits, only heart and soul is needed. he throws a good example how to gather different genres and styles into one great peace of art, one that certainly cant resist giving in without touching our heart.

surely with forward-looking ambitions, serbian fellow dejan milicevic drops his debut album trust and the purpose with style,non-compromisingly showing us how electronic music has no limits, only heart and soul is needed. he throws a good example how to gather different genres and styles into one great peace of art, one that certainly cant resist giving in without touching our heart.

rhein-main based tag team diggler & franksen go back some way in the history of frankfurts electronic scene. around 2000 diggler honed his reputation as a master of dubby techno for a whole decade. his early tracks like >boogiemonster< are blueprints of cool. period. today he is still rollin out crisp and deep techhouse beats that combine musical finesse, compositional tension and club appeal. having released about six albums and countless tracks and remixes for labels from raum…musik to cocoon and from resopal to level non zero, diggler is still on the hunt for the proper dose of beat hypnosis.
for their >morning blue ep< diggler teams up with frankfurts radio legend franksen who hosts germanys eldest dj show, todays you fm clubnight. franksen saw a string of releases over the last two years, collaborating for labels such as suara, dieb.audio, kommmitmusik, plastic city and more.

witness the second coming of this mysterious italian producer with shocks ii, totally abandoning the conventions of dance music with three more astonishing tracks comprised of heavily layered sounds, tape loops, loose percussion and meandering guitars. in his post-modern approach, shocks orchestrates a melding of sounds musical and non, beautiful in their a-tonal harmony, obliterating any linkage to original context and leading us on a road to nowhere.

ultraschall is an homage to the first big techno club in munich. the owners of harry klein were part of the old ultraschall, which has a unique legendary status nowa¬days. the older generation in particular often long for the good old days. yes those times shouldnt be forgotten, especially not in terms of sound, but its also important to move on and attempt new things. like supporting vinyl, going to a who¬lefood shop or ending war. ok that might sound like a bro¬ken record, but how about spending less time on facebook and actually with your friends, cooking for your parents or organizing a break dance battle in your backyard? daniel takes us on a journey through the past and back to the future again. a charming mixture of laid-back grooves combined with some rough n ready rave moments make this a rapturous trip, no matter what time it is. track names are a really interesting element of music. some artists dont care about them at all and call their tracks a1 or something non-descript. yet many titles can be really funny, others made up words, and some corre¬spond to current events or times. some just really fit the sound. if you lose something, in general its a pretty nasty and unsettling feeling. but you have to deal with bad luck when it strikes. losing something can teach you an im¬portant lesson, or simply show you what it means to be unfortunate and down. not knowing the lows as well as the highs wont allow you to evaluate life very well. most important is to really feel and be yourself, despite the ups and downs.

someones gonna break your heart is the second 7-inch vinyl single from fountains of wayne’s long-awaited new album, sky full of holes. the vinyl single includes the non-album b-side song of the passaic, an ode to the toilet river that meanders through northern new jersey.

another well produced reeko ep on planet rhythm. this is dark angry techno music that should be played only at loud volume. the title track >bad connection< is a raw nervous track on a somewhat slower pace that will definitely get people dancing. especially for all those raves that last until 7 in the morning this is one for the peak hours. >look at me< is a jumpy non 4/4 techno rhythm with cool effects and chords, the rising synth at the end of each loop is a nice look. >in a different world< and >restart< are both tracks that fit perfectly in this new prruk record. good producers know how to build an ep in a way that it feels like chronological soundtrack. reeko knows exactly how to do this.

soul jazz records are releasing this latest studio one compilation which features non-step 100% stone-cold classic studio one killers! spanning 40 years of the legendary label, this album is a fitting tribute to clement >sir coxsone< dodd and is a who is who of jamaicaan reggae.

>i dont have any plans, i just make music for fun< said the latest addition to the hypercolour roster, christopher rau, in a recent interview. the hamburg house don is not wrong, either, with his deep and non-linear sounds leading the way on labels like smallville and pampa. here teaming up with friend tilman tausendfreund, the pair turns in one effort each, plus two collaborative tracks on their pea gravel ep.

limited blue vinyl! current value and donny need no introduction, bringing you an album that has been in the bunker for the past 4 years revolt & riot! starting off with the long awaited therapist vip, this album is a testament of the dark sound that moved the heaviest of grooves for dance-floors across the world. current value and donny relentlessly drop killer after killer in this assault on many levels. enlisting fellow stalwarts for the remixes and duo mixes: counterstrike, gein, & nanotek, the mash ups of dark classics like deadly algorythm & overclock have been bangin heads non-stop. revolt & riot is conceptually a statement from guerilla concerning global governments. getting world-wide dj support from tech itch, dylan, evol intent, limewax, submerged, btk, panacea, bkey, facs, dj hidden & eye d, lucio de rimanez, thrasher & more!!!

hut no. 18 goes a-hat with huts non-conformist approach to electronics. and by the way, this one comes out of the labels very own harbour hamburg.
a1. kamika - conform : hanseatic label buddy kamika pops up with a dense and atmospheric tune, focussed yet narrative.
a2. kamika - conform (maksim dark remix) : maksim dark knitted a very straight reinterpretation, dark and almost industrial.
b. kamika - conform (felix lorusso remix) : out of the labels hamburg circle comes a spectacular steamline-inspired remix by felix lorusso.

brand new album featuring non-stop killer studio one cuts from the skatalites, heptones, lone ranger, horace andy and loads more. album comes in jewel case with slipcase style cd, limited edition gatefold heavyweight double vinyl and exclusive digital download from here. this is the first new studio one/soul jazz release in over 3 years and is being released to coincide with our forthcoming monster new deluxe hardback 12x12inch 200 page full colour book featuring hundreds of super classic and rare studio one sleeves.

this ep was formed with a concept in mind that involves a natural phenomenon occurring in various / different fields of science and nature - anti-parallelism. as the word suggests, anti-parallelism describes the natural relationship between two occurrences, objects or even non-material things, that are virtually identical and yet oriented in different directions. during the time the music was made i was researching natural phenomenons like this one. naturally, this became part of the nucleus, fabric and inspiration for this work. in genetics, for example, if the >antiparallelity< is corrupted during the process of dna replication it is called a mutation. this mutation can be anything from totally inconsequential to critical for the survival of the whole living organism. a double helix of dna contains two helixes, that are naturally anti-parallel to one another. in physics this could be two of the same objects moving through space and time in opposite directions - just like the instruments or parts of a beat in electronic music production. so metaphorically speaking, anti-parallelism holds a natural balance to keep it safe and stable. although this might sound all very conceptual and theoretical this music is obviously just what it is - it is not intended to teach math, physics or biology in any way. the above mentioned aspect has simply found its way through my head and might have led to a piece of music that somehow, at least for me, is connected to these thoughts. it might evoke something very different for you

killekills next release comes from snuff crew, a crew you might and should have heard about. snuff crews mission is to bring back the fun on the dancefloors worldwide. the masked duo is known for their jacking live shows that combine the raw energy of early chicago and acid house with a fresh and modern sound. rumour has it that they come from >somewhere in germany<, but their sounds draw a very heavy influence from the original acid house city of chicago alongside italo-disco and old school techno flavours. the use of old school roland boxes as sound sources and almost non existent use of even basic effects means their sound is rough, raw and aimed squarely at the dancefloor. their records have been released on labels like skylax, gigolo records, rush hour, playhouse and many more, but the two guys also run their own imprint called snuff trax where they release music of jackmates like kink and neville watson as well as their own tracks and collaborations with artists such as legendary robert owens. thats enough for now with the name dropping. killekill has got a lot of great exclusive material from the guys but decided to release only two very strong and distinctive tracks for now: domo on the one side is a proper acid monster that will go down on dancefloors worldwide like a hurricane and leave the dancers breathless. eat this on the other side is a rudimentary chicago jack track that might well have been taken off a dance mania record from 1992. this track is working its way with nothing but a few drum tracks and a vocal sample and is pure raw sexual energy.

with private golds newest offering the inimitable cologne producer martin beume has really taken a huge and achingly beautiful step in his songwriting and production. some might know him from releases with connaiseur or brut! records, but this record is miles higher… wisps of detail adorn each song like edible gold flake on a luscious chocolate ganache cake. synths flutter and glide like summer butterflies and even the percussion is precious and clean. this is not to say it is only good for home listening. lead off track solid rubber has a tough and sexy deep house sway with echoes of brazilian bossa nova laid over its more traditionalist chicago house and jazz. lsdeep, has the full dirt stomp necessary for a forbidden tryst, but sneaks in smart samples and emotional filter washes to add unexpected depth. at 105bpm, you might not expect wip catch to fucking groooooove the way it does, but trust me kids, things are getting slower as we are getting older. and it feels great. soaring orchestral strings married with perfectly cut vocal samples are sure to get the more adventurous djs hypnotizing dancefloors like musical svengalis. and when you thought it was all over, axel boman turns in an amazing remix in his instantly recognizable non-traditional style. this dude is a lothario. all hip shake and cooing come-ons, its a reduced house gem that slinks its way into your pants.

his single comes to people that make the music records from one of house musics most eminent production teams: first ibiza lady alla farmer, mateo & matos and ukrainian singer and producer vincent inc, chris gray from deep4life, jazzy house veteran john crockett and uplifting deep king brendan mccarthy aka aquatherium. though not stereo-typically their style, this set of tunes give good credence to their soft house music production ability. they set the scene for sounds entering as a funky bassline, squealy guitar riff, and classic 4/4 drum loop. john remix consist mainly of dubby bubbly conga rhythms, cosmic chords, floaty synths, musical saw tones and a nice rubbery bassline. aquatherium remix is pure non-intrusive, house music that is great for the sunset beach session or even the roller disco! chris & alla made eclectique deep house which is just a dope! the remixed single tracks have been mixed together to give it a beefy blend that would be perfect for the floor of many poorly lit dance dwellings. people that make the music has stepped forward with a brilliant ep of insatiable grooves.

bottin with his 3rd installment on the artifacts series! artifacts 1 and 2 did did becoe small cult releases that sold out everywhere. no3 is another massive disco release based on early italo disco tracks that have been produced for packed dance floors in rimini, venice and milan. bottin managed to deliver tracks that stay true to their roots and have the energy of modern club tracks. even for non italo disco fetishists these tracks are delivering the fun! limited supplies on transparent blue vinyl!

working non-stop, danny wolfers is back again on greeces echovolt label after last years acclaimed comeback dust remix. once again we see his trademark style of soulful, narrative electronic music spread across these four barrio tinged tracks, the standout being the massive poverties paradise which is a deeply emotional vocal excursion reminiscent of some of the most classic chicago cuts with the signature legowelt stamp planted firmly on it. not to be missed!

luis flores delievers a great techno ep for micro.fon. packed with good stuff the two originals come along with 2 tool edits and two fat remixes. audio injection from the usa delievered a dubby dirty gritty stripped down tech version of >love your machine<. veteran of mexicos techno scene and years of pushing innovating and non-conforming concepts, luis has developed his own production style that is precise and hypnotic with a healthy degree of dance floor groove. his first release on droid recordings was enthusiastically lauded and put into heavy rotation by the likes of chris liebing and speedy j. already gaining momentum with interest from dj heavyweights and international tours in europe, china, the u.s. and elsewhere, he now offers 3 slabs of pure sizzling dark groove for micro.fons latest, including a remix by super-in-demand audio injection. support by: andreas henneberg, daniel sanchez, danilo vigorito, dj murphy, drumcell, jeremy p caulfield, joseph capriati, klein & meister, paco osuna, thomas krome, tommy four seven, tony rohr & many more.

ultraphat outstanding techhouse / techno monster !! tipp

splatter is a producer from merida in mexico, with huge reconition in central america and europe. his style is deep and sinister inspired by the world surrounding him. an abstract experience, mixed with unusual non-linea structure base. mike walls productions sound like the perfect fusion of techno and groovy house. creating his own style of techno is the reason he is doing fantastic live sets as well including all the different sound structures, glitches, bleeps and basses he s interested in and let him feel balanced. this release is inspired by splatters summer holiday in copenhagen the summer of 2010. the release features deep and exotic basslines wrapped with glitches, funky noises, and hypnotic drones. a solid composition for the after hour specials.

non stop techno extasy

engage ep includes the title track and remixes of selected works from the album including a remix of >kurzweil< by renaissance man, a remix of >non-aggression principle< by my favorite robot,and >take me to your leader< by pink skull (rvng). >engage< is currently being highlighted on european radio. it has a classic bowie style vocal feel with some nu-disco charm. one of the great tracks on the full processory album. the entire collection from the >change is gradual< full album to the 3 eps are not to be missed.

in the south of panama lies the darien gap, a vast unpenatrable jungle swamp that divides central and south america. it is so hostile that even the pan american highway stops there in what would otherwise be a non-stop highway stretching from alaska to argentina. many explorers never returned and it is believed that the 10.000 square mile piece of green hell is home to secret guerilla bases, drug labs and many mysterious & dangerous animals.

we are happy to have a follow up of m.in on trapez ltd in collaboration with his fellow mate jonas fahz. the duo has released together already under their pseudonym of mucky pups on the trapez ltd 100 anniversary compilation in may. their a-side welcome to my house features again a jack track, produced and written this time by a whole team including: m.in, jonas fahz, peter eilmers and featuring nick maurer on vocals. bringing together old school and new school this was also the idea with m.in s debut a-side track teach me house . welcome to my house instead has more of a live jammed attitude to it... in this respect it is meaner, rougher and tougher as the predecessor! the alienated and twisted voice of nick maurer adds a psychedelic feeling that keeps you making funny faces to yourself . delgardo has been a long time favourite of m.in and jonas, it is an approved dance floor track, and indeed a slow moving... but funky rocker. fuelled by vocal snippets and fx sounds... the beat goes non stop beat non stop ! elephant blues is the favourite track of m.in and a bit of a mad and deadpan track. fitting very well to the actual chart breaking tunes that spread like a virus in the underground scene, this could be the most modern of the three tracks. equipped with a strong drive, whipping its percussion line into oblivion it is a sexy track. the original 3 tracks are Êsupported by alex piccini with a cool post detroit remix of welcome to my house and well as heartik who has speeded up elephant blues turning it into a cool techno- rush of a track.
played by: martin eyerer, stephan bodzin, timo maas, fra soler, orde meikle/ slam, hot chip/ felix, dj madskillz, paco osuna, steve lawler, ronan portela, lee pattison (deepgroove), patrick pulsinger, axel bartsch, beatamines, f.sonik, jules de pearl, taster peter, kiko, marcus sur, toni d, freska, zidan, scott byrne, danny tenaglia ...

decabaret seconds release is a pure blend of finest detroit techno/electro. franki juncaj moving forward his dj 3000 moniker to focus on producing music delivers an electro stomper, >waiting in the dark< will give you thrills! second an aquatic electro mix by dj stingray from the drexciyan sea depths. aux 88 makes a top quality electro-techno bass remix. and the last but not the least tom linder from the detroit techno militia turns it into a techno floorfiller. detroit techno on top non-stop!

another first for electric minds, we present the debut 12 inch from endian. with follow up releases already signed to non plus and further label support to come we are sure it wont be too long before his music reaches a wider audience. we would like to let the music do the talking :)

bullion announces his new single >magic was ruler<, for vinyl only release on 25th may 2011, featuring 3 full length version of track from his non-lp >you drive me to plastic< and one exclusive new composition. the title track is a sample-based tapestry, rich in jangly guitar chops and pert horns, it dances along with the merriment of a tropical beguine. >magic was ruler< is a crate-diggers journey to encompass all manner of musical styles from krautrock, leftfield disco, all the way through to afro inspired 70s electronics, and continuing on from 2009s >young heartache ep< (one handed records). the searching, syncopated track >you drive me to plastic< has all the dynamic of the non-lp with which it shares its name and new track >good news on her< has the pulsating verve of shep pettibone-era ny house, whilst packing bullion s signature hip hop punch. >too right< completes the set, supported by benji b and gilles peterson in the uk.

returning for a fourth ep on the label, berlins nick höppner continues his exploration into an ever-developing and rich production vocabulary. the rough goes with the smooth in perfect harmony on -a peck and pawn-. höppners unique sound design leads to a dense wash of sound sparkling with airy details and his characteristic sub bass subtleties, as the whole track gels together in a pushing modern house triumph. the spaced out and traveling -she parked herself- is a real fusion of the many influences behind the producers inspiration. bubbling percussion and pretty melodic structures fuse with a melting analog bassline in this high-tech and positive jam. with its heavy bass and late-night atmospheres -swivel flick- slows the pace in a warm, dubbed and droning thinkpiece that is just as cinematic as it is direct for the club. jostling just beneath the surface youll find a wealth of details that really shows off nicks talent and dedication to a non-standard groove

in all the thea rooms, the meeting centers for alcoholics russians and the blogs of the sapareted nations of the wikirebels were wondering where anton and maxim truly ended up. perhaps non all were aware of wap happened in moscow after the big heat of the summerr 2010. used to the polar cold also the computers ad all the electronic comunications took a moment to reflect, closing, in a natural obligation and right to silent. but this does not apply to scsi-9. the guys have to work with dedication and long care, clear, relaxed. do things well means knowing how to wait, as tasting a fine wine, smooth. in this the cold couple births their new mood in two beautiful tracks and perceives new exchanges of high level with john tejada and pablo bolivar. two thin encouters of arte and culture, where pablo silken and john point- blank reveal a tick record, impeccable. john bounces our breath trough harmonic turns and chorns that transforms the original track in a new roaring engine and well-calibrated, with an unforgettable ending. pablo enters the tunnel of sound to cover/wrap in a soft and comfortable limbo, more visionary than ever. deep that becomes contemporary is ready. only 500 copies distributed on the planet.

originally born in the south of england into a musically gifted family, mark reeve received the major order to be a dj and to play electronic dance music when he moved to the rhein-main area in 1998. mark is now known today as a non stop dj and producer , as an artist he has now had his most important releases on cult label defected with with düsseldorf-based tapesh, solo on traumschallplatten (sep 2011), for monique musique or neurotraxx - marks tracks are always a mixture between dancefloor moovers including groovy rhythms and big baselines. in his cocoon debut, reeve presents himself in all his stylistic bandwidth: >daybreak< combines a highly-functional tribal bass pumping station with such mighty dub chords that make the sun shine even in in the most remote corner of the club, while >morning on mars< gives priority to the hypnotic effect of percussion. mark reeve is definitely a name to remember in 2011!

fernandos extensive discography is testament to his numerous releases under guises such as silver city, fernando, ciudad feliz, the spirals, and he is also a member of 20/20 soundsystem. his singles, remixes and albums have been released on some of the most prominent labels around including get physical, soma, 20/20 vision, redux, bearfunk and prins thomass internasjonals, to name a few.

with his latest and 8th artist album >tiefenschön< the timerwriter aka jean f. cochois convinced the critics once more after his latest mix compilation out of his compilation series >deeptrain< became compilation of the month in mixmag uk. here we have the new single >superschall< which is the final track of the album plus one non album track and a remix by m.in.

two cover versions taken from the essential album gitano real. >i believe in miracles< is an overwhelming take on the jackson sisters classic in a rumba funk fashion. party stomper! and on the other side, a longer trip departing from mcfadden and whiteheads seminal >aint non stoping us now< and touching the revered latin disco version of charanga 76, only to end up as a fabulous clap-driven rumba stormer. two very necessary sun-soaked tunes for any self-respecting dj on neat transparent yellow vinyl. and yes, its a limited edition!

follow up to the highly acclaimed first numbers#1 release which was massively supported by adam beyer, laurent garnier, speedy j, carlo lio, timo maas, slam, technasia, oliver ho, terence fixmer, lucy, x-press 2, phil kieran, paco osuna, tony rohr & many more. emerson once again expresses all his passion for raw techno and rolling grooves with the tune >non human beat<. heavy beats with an analog feel and loud drums keep spinning and building around noisy crisp techno. the original track was remixed by markus suckut delievering a modern techno track, adding some energetic hi hats and leaving out some of the peak elements for some extra dub. markus is currently working for well established labels like stroboscopic artefacts and len fakis figure imprint.
support from speedy j, luke slater, dubfire, electric indigo, timo maas, luciano …

christian burkhardt returns with his fourth solo single for raum musik. the title track of this ep which is called >bass horse< has been produced together with reuben woods from cape town better known as mey. if you listen to the tracks that are featured on this ep you will find out that all of them have a different mood but still they all got the non reversible burkhardt funk. all killer - no filler!

bullion announces his new single >magic was ruler<, for vinyl only release on 25th may 2011, featuring 3 full length version of track from his non-lp >you drive me to plastic< and one exclusive new composition. the title track is a sample-based tapestry, rich in jangly guitar chops and pert horns, it dances along with the merriment of a tropical beguine. >magic was ruler< is a crate-diggers journey to encompass all manner of musical styles from krautrock, leftfield disco, all the way through to afro inspired 70s electronics, and continuing on from 2009s >young heartache ep< (one handed records). the searching, syncopated track >you drive me to plastic< has all the dynamic of the non-lp with which it shares its name and new track >good news on her< has the pulsating verve of shep pettibone-era ny house, whilst packing bullions signature hip hop punch. >too right< completes the set, supported by benji b and gilles peterson in the uk.
single sided pressing with etching on the flip.